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Scoop.it!
The Digital Rocking Chair's insight:
"David Sheldon-Hicks, who has worked on Guardians of the Galaxy and Ex Machina, examines advances in motion capture and 3D printing". 
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Rae Ann Fera: "A collaborative process enabled Pixomondo to complete the intensive VFX on the last season of Game of Thrones. The result won the studio an Emmy, but that doesn’t mean it was easy" ...
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Most of the scenes in Steven Spielberg’s World War I epic War Horse use real horses, but a couple of particularly animal-unfriendly scenes required the use of animatronics...
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The "Terra Nova" producer talks about the "Real Steel," and how special FX work best.
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Mike Seymore: "The net result is one of the most adaptable modern ‘transmedia’ pipelines able to render TVCs, press, game cinematics, animated features or TV series work."
The Digital Rocking Chair's insight:
A very technical look at House of Move's 'transmedia' pipeline.
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Ben Fritz: "As Hollywood's major movie studios try to trim costs every way they can — including layoffs, mergers and slashed expense accounts and producer deals — there's one budget item that heads ever upward: the movies themselves"...
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The Visual Effects Society has tapped comic book icon Stan Lee to receive the 2012 VES Lifetime Achievement Award ...
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What I have seen so far needs a lot of work, if tech would develop exponentially here - great.