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Transmedia: Storytelling for the Digital Age
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+18 today
a look at the creative and technical worlds of immersive storytelling
Curated by
The Digital Rocking Chair
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The Digital Rocking Chair's insight:
ABC Radio: "Fans have long had a role in influencing and in some cases helping to shape the works of popular culture they adore. But when they get restless in the modern age, they now have the resources to take a piece of fiction and make it their own. Some content producers find that assertive approach threatening. But others, particularly in the gaming sector, have begun to embrace it." 
Kajsa Hartig's curator insight,
December 8, 2015 2:46 AM
"Take a healthy dose of obsessive fan culture, throw in a whole array of digital production tools, add a writer/producer who's happy to share, mash it all together, and you’ve got the makings of a nice piece of co-creation." 
Minna Kilpeläinen's curator insight,
December 8, 2015 5:03 PM
In transmedia, fans are the ones that make the story alive.
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The Digital Rocking Chair's insight:
Owen Duffy: "The original card game has 20 million players worldwide. Now, its publishers are revisiting its leading characters’ origins in an effort to get bigger still" ...
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James Martin: "MediaCity Finland's Staffans talks co-creation with Carri Bugbee, who brought Mad Men's Peggy Olson to life on Twitter" ...
The Digital Rocking Chair's insight:
Another great article from Simon Staffans.
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!['Welcome to Sanditon's' Alexandra Edwards responds to fan criticism [#Transmedia] | Transmedia: Storytelling for the Digital Age | Scoop.it](https://img.scoop.it/Tagbaqt-vfjx9QcPJw0JPTl72eJkfbmt4t8yenImKBVvK0kTmF0xjctABnaLJIm9)
Marama Whyte: "'Welcome to Sanditon's transmedia producer Alexandra Edwards responds to fan criticism of the show, dealing with fan expectations from 'The LBD', and more."
The Digital Rocking Chair's insight:
On the challenges of following in the footsteps of a hit transmedia series ....
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The Digital Rocking Chair's insight:
Mathew Klickstein: "It all comes down to something called "parasocial interactions" and why we attach so fondly to the warming glow of the screen—any screen."
EntreCulturas's curator insight,
November 5, 2017 11:45 AM
Un artículo interesante sobre la película The Room que puede explicar el fenómeno de los fandoms. La interacción entre el personaje Jack (niño) y su caricatura favorita explica la psicología detrás de los fandoms y cómo , quebrando la cuarta pared, se crea un sentido de interacción verdadera.
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The Digital Rocking Chair's insight:
Elizabeth Minkel: "Hollywood has overtaken the fan convention with a vengeance, but its original spirit can still be found with the cosplayers - and at the Buffy panel" ...
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The Digital Rocking Chair's insight:
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Simon Staffans: "The Author is no longer in control. No matter if audience interaction and participation is planned for or not, if the content is great enough and make people relate to it enough, people will start to engage and co-create" ...
The Digital Rocking Chair's insight:
This makes an interesting companion piece to yesterday's scoop.it post where Steven Spielberg and George Lucas discuss the difference between narrative media and interactive media.
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Christy Admiraal: "There’s no question that anyone who considers himself or herself part of a fandom will have a different read on a piece of media from someone on the outside—whether it’s due to taking in all supplemental material, shipping a certain pairing, participating in fan theorizing, or some combination thereof—but exactly how does their experience differ from a reader or regular viewer who’s never dived any deeper into non-canonical material?"